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Posts tagged ‘Fairy Tales’

New novelette, ‘Beauty’s Sister’, available now

I’m delighted to announce my story ‘Beauty’s Sister’ has been selected as one of the first four pieces for Penguin’s Shorts program, which launches today.

Designed to offer quality fiction and non-fiction able to be read in a single sitting in digital-only formats, Penguin Shorts are also an attempt to create a space in which new and established writers can experiment with work that’s too short for a book and too long for a magazine. The number of works available will grow over time, but for now there are four titles available: two exclusive short works from Women of Letters curators Marieke Hardy and Michaela McGuire, Nam Le’s story, ‘Love and Honour and Pity and Pride and Compassion and Sacrifice’ and ’Beauty’s Sister’. Full details of all the titles are available on the Penguin Shorts website.

‘Beauty’s Sister’ is a bit of a departure for me. A reworking of Rapunzel, it’s the first of a collection of tales I’ve been working on (and which I’ll hopefully find a way to publish in the next year or so). It’s also a bit more substantial than the other pieces I’ve published recently – in SF/Fantasy terms it’s a novelette – but I think it whips by all the same.

You can read the blurb below, but if you’d like to grab a copy it’s available for Kindle, iBooks, Google Play and Kobo.

“Juniper, living deep in the forest with her parents, is stunned to discover that the beautiful girl living isolated in a nearby tower is her sister. When the two girls meet, what begins as a fascination and a friendship ultimately develops into something truly sinister.

“A story of jealousy, passion and power, Beauty’s Sister is a dark and gripping reimagining of one of our oldest tales, Rapunzel, from acclaimed novelist James Bradley.”

Once upon a time . . .

I’ve been reading Maria Tatar’s Annotated Brothers Grimm, which takes a number of the Grimm’s tales and explores their various incarnations, histories and interpretations. It’s a fascinating book in its own right (and a strikingly beautiful one, with illustrations by Arthur Rackham, Walter Crane and George Cruikshank, amongst others) but one of the highlights is A.S. Byatt’s introduction.

Of course Byatt’s written about fairy tales before, as well as rewriting a few, and exploring the social context and cost of such tales and their celebration in her remarkable 2009 novel, The Children’s Book. But her introduction to the Tatar is particularly interesting, not least because of its invocation of the work of Max Lüthi:

“The best single description I know of the world of the fairy tale is that of Max Lüthi who describes it as an abstract world, full of discrete, interchangeable people, objects, and incidents, all of which are isolated and nonetheless interconnected, in a kind of web of two-dimensional meaning. Everything in the tales appears to happen entirely by chance – and this has the strange effect of making it appear that nothing happens by chance, that everything is fated.”

I assume the book Byatt’s referring to is Lüthi’s The European Folktale: Form and Nature, which explores this precise quality, and which is itself a pretty remarkable document. But whether it is or not, she’s right: along with the sense that they are accessing something dreamlike and below the level of language, much of the unsettling (and beguiling) power of fairy tales arises from their weird inversion of the normal processes of fate and coincidence. Indeed I’d go so far as to suggest that this inversion is effective at least in part because it reminds us of how the world must appear to children, for whom everything is full of mystery and hidden meaning, and for whom adults must seem both purposeful and frighteningly capricious.

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