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Posts from the ‘Writing’ Category

Clade cover and preorders!

So it’s official. My new novel, Clade, will be released by Penguin in Australia on 28 January. As the blurb says, “A provocative, urgent novel about time, family and how a changing planet might change our lives, from the acclaimed author of The Resurrectionist and editor of The Penguin Book of the Ocean.”

You can feast your eyes on the very sexy cover below, and if you’d like to preorder a copy you can do so through Booktopia and Bookworld. I’ll pop up more links as it becomes more widely available, and post some more details soon. [Update: you can also preorder through Boomerang Books]

Very exciting!

Clade

Fearsome Magics

Fearsome MagicsJust a quick note to say I’ve got a story in editor extraordinaire Jonathan Strahan’s new anthology, Fearsome Magics, which is due out today. The follow-up to Jonathan’s World Fantasy Award-nominated Fearsome Journeys, it’s also the second in his New Solaris Book of Fantasy series.

I haven’t read all of it yet, but the bits I have are terrific. You can check out the full table of contents over at Coode Street, but there are new stories by Garth Nix, Karin Tidbeck, Kaaron Warren, Frances Hardinge, Christopher Rowe, Isobelle Carmody and a bunch of other fabulous people. I think – I hope – my story, ‘The Changeling’, is interesting: to my mind it’s less fantasy than a sort of anti-fantasy, although I’m not going to say more than that.

Australian readers who’d like to pick up a copy can check prices on Booko; otherwise you can check out your favourite independent bookseller, head to Amazon or Amazon UK, or pick up the ebook for iBooks, Google Books and Kobo. In the words of the immortal Molly Meldrum, ‘Do yourself a favour …”.

A new novel, a new story and a new anthology …

It’s been a while since I posted, and given how much I’ve got to get through over the next few months it may be a while before I get back to posting more regularly, but I wanted to announce a couple of things.

The first – and most important – is that Penguin will be publishing my new novel, Clade, in Australia in February next year, with other territories to follow. I’ve posted a few bits and pieces about it here and there, but it’s a book I’ve been thinking about and working on for a while now, and I think it’s pretty special. At some point I’ll pop up a proper description, but for now it’s probably enough to say it’s about time, and family and climate change, it moves from the very near future to the end of the 21st century, and that it’s got birds, floods, bees and aliens. I rather love it and I hope other people will as well.

Although I’m currently deep in the process of editing Clade, I’ve also spent the first half of the year working on a couple of other projects. The first is another new stand-alone novel, which is slowly taking shape; the second is a trilogy of new novels. I can’t talk much about either just yet, except to say that the first novel of the trilogy is written and the next two are underway, and I’m hoping I’ll have drafts of both the standalone novel and all three books in the trilogy by the end of next year.

In the meantime I’ve got a couple of other bibs and bobs around the place. One is a new story, ‘Skinsuit’, which you’ll find in Island Magazine 137. The full text of the magazine isn’t online but you can pick up the print version at good bookstores here in Australia or order print and digital versions from Island directly (while you’re there you might want to think about supporting the magazine and its investment in Australian writing and culture by subscribing). The issue also features fiction by Tegan Bennett Daylight, Angela Meyer and Sunil Badami, as well as non-fiction by Alison Croggon and Damon Young, so you’re guaranteed value for money.

The other is a piece in if:book Australia’s The N00BZ: New Adventures in Literature. Edited by Simon Groth, the collection is the culmination of a project that saw fifteen writers including attempt to stretch or challenge their writing practice in different ways. Sometimes the challenges were personal – Sean Williams participated in a sleep deprivation study, and charted the effects on his writing – sometimes, as with Benjamin Law’s decision to learn shorthand, they were technical, and sometimes, as with Jeff Sparrow’s exploration of the experience of not writing, they involved an examination of the author’s writing practice more generally. For me the challenge revolved around trying to develop and write the script for a comic, a project that was both about exploring my lifelong fascination with comics and beginning the process of learning to work in a new form.

It was a great project, and one I enjoyed being involved in immensely, and having read the contributions of the other writers I’m confident they enjoyed being involved in the process as much as I did. If you’d like a taster you can read my contribution online, but I really do recommend you check out the entire collection, which is currently available in digital form with the print version to follow in August.

Best Australian Stories 2013

Best Stories 2013Just a quick note to say how delighted I am that my story, ‘Solstice’, has been selected for Best Australian Stories 2013. Originally published as part of The Big Issue’s Fiction Issue, it’s also the first part of my new novel, Clade, which will, with a bit of luck, be published later next year.

My copy of the collection only turned up in the mail an hour or so ago, so I haven’t had a chance to read it yet. But this year’s collection, which was edited by two-time Miles Franklin-winner, Kim Scott, and includes stories by Kalinda Ashton, Tony Birch, Georgia Blain, Tegan Bennett Daylight, Ashley Hay, Andy Kissane, Wayne Macauley, Ryan O’Neill and Favel Parrett to name just a few, looks particularly impressive.

There’s a full list of contributors on the Black Inc website. Alternatively you’ll find copies at any decent bricks and mortar or online bookstore. I’m not sure if the electronic versions are available internationally, but if you’d rather go electronic it’s available for Kindle, KoboGoogle Play and iBooks.

And while I’m here, I should mention how pleased I was a little while back to see my Rapunzel novelette, Beauty’s Sister making the Recommended Reading List for The Year’s Best Australian Fantasy and Horror 2012, edited by Liz Grzyb and Talie Helene. The full list, which includes works by writers including Joanne Anderton, Margo Lanagan, Jason Nahrung and Kaaron Warren is available on the Ticonderoga website and is well worth a look.

Paper Nautilus

JBR10001_Book_cover_finalI’m very excited to be able to say my first book of poetry, Paper Nautilus, is now available as an ebook through Amazon. For those of you who aren’t familiar with it (and given it’s (a) poetry and (b) has been out of print for more than a decade that’s presumably pretty much everybody) it was first published by Five Islands Press as part of their New Poets Series in 1994, was shortlisted for the National Book Council of Australia’s Banjo Award for Poetry in 1995, and contains a series of poems I wrote between 1991 and 1993.

It’s always strange rereading work you wrote a long time ago, but looking at the book again I’m surprised how well it stands up. Perhaps unusually I didn’t really start writing until I was in my 20s, and because I managed to get published reasonably quickly the poems in Paper Nautilus aren’t just the first things I had published, many of them are amongst the first things I ever wrote. That being the case it’s sort of gratifying to find the book contains not just a number of poems I’m genuinely proud of but a number more I’d forgotten that are surprisingly good (I have to confess I had no memory of ‘Winter Afternoon’ at all until I reread the book). Even more interesting is seeing the way so many of the interests and preoccupations of my fiction were present right from the beginning.

I’ve made a few minor corrections to the text but otherwise the book is as it was when it was first published, except for the very handsome new cover, designed by Who Creative.

There’s more information and a few reviews over on the page I’ve created for the book, but given you can have the whole book for a mere US$2.99, perhaps you’d be better off just hopping over to Amazon and buying a copy.

Coode Street and Me

the-coode-street-podcastA little after the fact, but if you get a chance you might want to check out Episode 154 of the Coode Street Podcast, which features me chatting with Jonathan Strahan and Gary K. Wolfe about subjects ranging from Neil Gaiman’s The Ocean at the End of the Lane and Paul McAuley’s Quiet War series to Margaret Atwood, Tolkien and the future of science fiction.

I’m a big fan of Coode Street, which I think is necessary listening for anybody interested in science fiction or fantasy, so it was great fun to be a part of it. You can download the episode from Podbean or from iTunes.

If you’re interested I’d also very much recommend taking the time to check out M. John Harrison’s recent appearance on the show (available via Podbean and iTunes), in which he demonstrates he’s exactly as brilliant in person as on the page, and the conversations with Graham Joyce (whose new book, The Year of the Ladybird, is a delight (again, Podbean, iTunes)) and Ursula Le Guin (Podbean) from a while back.

Brisbane Writers Festival

brisbane writers festivalJust a quick note to say I’ll be appearing at this year’s Brisbane Writers Festival, which runs from Tuesday 3 September to Monday 9 September.

I’m on three panels. The first, Fables and Folktales, also features Kate Forsyth (who just wrote a lovely review of Beauty’s Sister), Donna Hancox and Angela Slatter, and is fairly self-explanatory. The second, A Sense of Wonder, which also features Ashley Hay and Bianca Nogrady, is about science and communication, and the third, Future Imperfect, which also features Sean Williams and Antony Funnell, is about science fiction and the future. Fables and Folktales is at 2:30pm on Saturday 7 September, A Sense of Wonder is at 4:00pm on Saturday 7 September and Future Imperfect is at 2:30pm on Sunday 8 September.

I’m really excited about the panels and about the Festival in general, which seems to have gone out of its way to develop a program that isn’t ashamed to schedule literary writers like Philip Meyer and Ruth Ozeki alongside speculative and comic writers like Matt Fraction (writer of the brilliant, brilliant Hawkeye), Dylan Horrocks and Marjorie M. Liu. The latter are all appearing as part of the Well Drawn event on Sunday 8 September, and I’m very much looking forward to catching their sessions.

Information on the Festival and details of all events are available on the BWF website. More information about my sessions and ticketing is available on my profile page.

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