I’m thrilled to be able to say that as of today, my first novel, Wrack, is available as an ebook in Australia through Vintage. If you’d like to buy a copy you can pick it up for Kindle (via Amazon.com and Amazon.com.au), through the iBookstore, and on Kobo. If you’re in Australia and you’d rather read the print book you can check prices for that through Booko. Likewise if you’re in the UK you can check prices for the print book or pick up the ebook through Amazon and the iBookstore. And if you’re in the US or elsewhere you can pick up the print edition or the ebook. And there’s also an award-winning audio edition read by Humphrey Bower.
For those who haven’t read it, it’s set in Sydney, Singapore and the NSW south coast during World War 2, and is about maps and murder and love and obsession (you can read more here).
Detail from Kathy Holowko’s ‘Batmania’, featured at Write Around the Murray.
Just a quick note to say that if you’re in the Riverina I’ll be appearing at Write Around The Murray in Albury on the weekend of 12-13 September. The full program was announced a couple of weeks ago, and features a bunch of fantastic people, but if you’d like to catch me I’ll be discussing ‘When Sci-Fi becomes Cli-Fi’ with Jane Rawson, Cat Sparks and Tim Flannery at 1:00pm on Saturday 12 September, and at 3:00pm on Sunday 13 September I’ll be in conversation with Jason Steger as part of Write Around the Murray’s Big Book Club. Both events are at LibraryMuseum, Corner of Kiewa and Swift Streets, Albury, and you can RSVP online.
And just a reminder that I’ll be appearing at Melbourne Writers Festival this weekend and Brisbane Writers Festival the weekend after.
I’ve had my head down working for a while, but over the next few months I’m doing a number of events around the country. First up is the weekend after next, when I’ll be at Byron Bay Writers’ Festival, where I’ll be in conversation with Wendy Were at midday on Saturday 8 August, and will be speaking about the limits of forgiveness alongside Sarah Armstrong, David Vann and Anneli Knight at 12:15pm on Sunday 9 August and about Climate Fiction with Mireille Juchau (whose much-anticipated new novel, The World Without Us, has just been released) and Anneli Knight at 2:15pm. Tickets are available from the Festival office, by calling 02 6685 5115 or online.
A few weeks after Byron I’ll be at Melbourne Writers’ Festival, where the scarily smart Jane Rawson, Michael Green and I will be discussing whether climate change is the new apocalypse at 11:00am on Friday 28 August and Mireille Juchau and I will be talking about novels of ideas at 2:30pm on the same day. Tickets are available via the pages for the individual events.
And finally, the week after Melbourne I’ll be in Brisbane for Brisbane Writers’ Festival, where I’ll be appearing at the Cooper Plains Library as part of the Festival’s BWF in the Burbs program at 10:00am on Friday 4 September, reading at 2:00pm on Saturday 5 September as part of the R[E]AD Box series, discussing climate fiction with Deb Fitzpatrick at 4:00pm on Saturday 5 September, appearing alongside the brilliant Sjón (if you haven’t read The Blue Fox run, don’t walk, and grab a copy), the multi-talented Debra Oswald and others as part of the Letter To My Future Self event at 8:00pm on Saturday 5 September and speaking about Clade at 4:00pm on Sunday 6 September. Tickets for all events are available online.
I’ll have details for a couple more events soon, but hopefully I’ll see some of you somewhere in the meantime.
It’s only a few weeks until the main program for Sydney Writers’ Festival gets under way. This year’s program looks completely amazing, featuring writers such as Helen MacDonald, author of the frankly astonishing H is for Hawk, Daniel Mendelsohn (who will be in conversation with David Malouf about reading the classics on Thursday 21 May – be still my beating heart), Malcolm Knox (whose new novel, The Wonder Lover, is out now, and who was profiled in the Fairfax papers over the weekend) and many more.
If you’d like to catch me I’m doing a number of events in and around Sydney during the Festival. First up I’ll be in conversation with Geordie Williamson at the Carrington Hotel in Katoomba on Monday 18 May at 3:00pm, where we’ll be talking about Clade, climate change and writing the Anthropocene.
On Thursday of the same week I’ll be back in Sydney, this time at Randwick Library, where I’m speaking at 6:30pm. Tickets for this event are free, and can be booked online or by calling 02 9399 6966.
And then, over the weekend, I’m at two events at the main festival. The first is a panel at 11:30am on Saturday 23 May entitled ‘Imagined Futures’, chaired by Ashley Hay and featuring Emily St. John Mandel, David Mitchell, Jonathan Lethem. I’m incredibly excited abut this panel: I’ve been a huge admirer of Lethem for years, and as I said when I posted about my favourite books of 2014, I adored both The Bone Clocks and Station Eleven. Tickets for this one are $25 or $20 concession, and although there are still some available I suspect they won’t be for long.
The second, which I’m also very much looking forward to, is with Anson Cameron and David Schlosberg on Sunday 24 May at 3:00pm, and is entitled ‘Climate Change and the New Nature’. I think this should be a fascinating and quite provocative session. Tickets are $14.
Anyway, hopefully I’ll see some of you at some of these events. And if not, take a look at the full program: it’s an incredible line-up.
I’m going to put together a roundup of reviews and articles about Clade soon, but in the meantime I’ve done a pair of Q&As you might like to check out. The first was for Penguin, and you can read it on their website; the other was for the fabulous Angela Slatter’s blog.
And while it’s not about the book, I’ve also just done a little thing for Zena Shapter about the music I’ve been enjoying recently. You can read the whole thing over on Zena’s blog, but because I wrote it a couple of weeks ago I didn’t include two things I’ve been loving in the past little while. The first is Israeli singer-songwriter Asaf Avidan’s fabulous album, Gold Shadow, which rather like Angel Olsen’s excellent Burn Your Fire For No Witness, looks back to the 1960s and beyond for a series of sounds and production techniques which manage to sound both retro and completely contemporary. And the other is The Beatles’ fourth album, Beatles For Sale, a record I was convinced to go back to by Jonathan Gould’s enthusiastic discussion of it in his biography of the Fab Four, Can’t Buy Me Love (which I’m planning to write something about on the weekend). For various reasons I’d come to accept the line that it’s an album born of exhaustion and creative burnout, a trough between the high points of A Hard Day’s Night and Help, but having listened to it again I’ve realised it’s actually much more interesting than I’d given it credit for, not just because original songs like ‘No Reply’ are so terrific, but because the choice of covers implies a fascinating conversation with their various influences and antecedents (and also, I suspect, prefigure the engagement with music hall and other, older forms on albums like Sgt Pepper).
A little after the fact because I’ve been in Adelaide for Writers’ Week, but last Friday saw the release of the finalists for this year’s Aurealis Awards, and I’m delighted to say my story, ‘Skinsuit’, has been shortlisted for Best Horror Short Story alongside stories by Deb Biancotti, Kirstyn McDermott, Garth Nix and Angela Slatter.
You can read the full list of finalists on the Aurealis Awards website, but suffice it to say there’s a lot of brilliant stuff on the various shortlists. And while the story isn’t online, if you’re in Australia you can read it by picking up a copy of #137 of Island Magazine.
The winners are announced in Canberra on 11 April and tickets to the ceremony are $40 until 11 March and $50 thereafter. In the meantime my congratulations to all my fellow finalists, in particular Deb, Kirstyn, Garth and Angela, and thank you not just to the team at Island for publishing the story, but to the judges and organisers for making the awards happen in the first place.
Update: you can now hear Jonathan Strahan, Tehani Wessely, Alisa Krasnostein and Seán Wright discussing the awards and the various shortlists on a special episode of the Coode Street podcast.
You can now watch Geordie Williamson’s characteristically generous and thoughtful speech at the launch of Clade at Better Read Than Dead Bookshop in Newtown last week. My heartfelt thanks to Geordie, the team at Better Read Than Dead and everybody who came along for making it such a special event.