Posts from the ‘Writing’ Category
My new novel, Clade, hits bookshop shelves today. I’m incredibly excited it’s finally out: Penguin have done an amazing job and it looks gorgeous, but more importantly it’s a book I’m very proud of, and which means a great deal to me.
If you’d like to know a little more about it you can check out the publisher’s description, or read the first chapter, and if you’re curious about the title I’ve written a little piece about it you might find interesting.
I’ll be posting more information on events and things as they’re announced, but if you’re in Sydney there’s a launch at Better Read Than Dead at 6:00pm on Thursday 5 February, and one of the Sydney Story Factory’s Author Talks at 6:00pm on Wednesday 18 February. I’ll also be at Adelaide Writers’ Week in March.
But in the meantime, yay! And I hope you like it.
I’m very excited to say I’ll be a guest at Adelaide Writers’ Week in March. The full list of guests, which includes the brilliant John Lanchester, Michel Faber, Joan London, Jenny Offil, John Darnielle, Ceridwen Dovey, Jane Gleeson-White and Willy Vlautin is available on the Writers’ Week website, where you can also check out events day by day or download a pdf of the full program, but you can catch me in conversation with Delia Falconer at 1:15pm on Sunday 1 March and talking about love and apocalypse with Michel Faber and Canadian poet Ken Babstock at 5:00pm on Monday 2 March. I’ll also be interviewing Mountain Goats frontman and novelist John Darnielle about his terrific new novel, Wolf in White Van, at 5:00pm on Saturday 28 February (an event I’m really excited about).
If you’re going to be in Adelaide please come along; in the meantime here’s Writers’ Week Director Laura Kroetsch talking about Clade a couple of months ago.
If you like what you read you can preorder the print version through Booktopia, Bookworld, Gleebooks, Readings, Better Read Than Dead, Pages and Pages, Abbey’s or your favourite online or bricks and mortar bookseller, or purchase the ebook from the Australian iBookstore, the Kobo store, Amazon.com and Amazon.com.au.
So it’s official. My new novel, Clade, will be released by Penguin in Australia on 28 January. As the blurb says, “A provocative, urgent novel about time, family and how a changing planet might change our lives, from the acclaimed author of The Resurrectionist and editor of The Penguin Book of the Ocean.”
You can feast your eyes on the very sexy cover below, and if you’d like to preorder a copy you can do so through Booktopia and Bookworld. I’ll pop up more links as it becomes more widely available, and post some more details soon. [Update: you can also preorder through Boomerang Books]
Just a quick note to say I’ve got a story in editor extraordinaire Jonathan Strahan’s new anthology, Fearsome Magics, which is due out today. The follow-up to Jonathan’s World Fantasy Award-nominated Fearsome Journeys, it’s also the second in his New Solaris Book of Fantasy series.
I haven’t read all of it yet, but the bits I have are terrific. You can check out the full table of contents over at Coode Street, but there are new stories by Garth Nix, Karin Tidbeck, Kaaron Warren, Frances Hardinge, Christopher Rowe, Isobelle Carmody and a bunch of other fabulous people. I think – I hope – my story, ‘The Changeling’, is interesting: to my mind it’s less fantasy than a sort of anti-fantasy, although I’m not going to say more than that.
Australian readers who’d like to pick up a copy can check prices on Booko; otherwise you can check out your favourite independent bookseller, head to Amazon or Amazon UK, or pick up the ebook for iBooks, Google Books and Kobo. In the words of the immortal Molly Meldrum, ‘Do yourself a favour …”.
It’s been a while since I posted, and given how much I’ve got to get through over the next few months it may be a while before I get back to posting more regularly, but I wanted to announce a couple of things.
The first – and most important – is that Penguin will be publishing my new novel, Clade, in Australia in February next year, with other territories to follow. I’ve posted a few bits and pieces about it here and there, but it’s a book I’ve been thinking about and working on for a while now, and I think it’s pretty special. At some point I’ll pop up a proper description, but for now it’s probably enough to say it’s about time, and family and climate change, it moves from the very near future to the end of the 21st century, and that it’s got birds, floods, bees and aliens. I rather love it and I hope other people will as well.
Although I’m currently deep in the process of editing Clade, I’ve also spent the first half of the year working on a couple of other projects. The first is another new stand-alone novel, which is slowly taking shape; the second is a trilogy of new novels. I can’t talk much about either just yet, except to say that the first novel of the trilogy is written and the next two are underway, and I’m hoping I’ll have drafts of both the standalone novel and all three books in the trilogy by the end of next year.
In the meantime I’ve got a couple of other bibs and bobs around the place. One is a new story, ‘Skinsuit’, which you’ll find in Island Magazine 137. The full text of the magazine isn’t online but you can pick up the print version at good bookstores here in Australia or order print and digital versions from Island directly (while you’re there you might want to think about supporting the magazine and its investment in Australian writing and culture by subscribing). The issue also features fiction by Tegan Bennett Daylight, Angela Meyer and Sunil Badami, as well as non-fiction by Alison Croggon and Damon Young, so you’re guaranteed value for money.
The other is a piece in if:book Australia’s The N00BZ: New Adventures in Literature. Edited by Simon Groth, the collection is the culmination of a project that saw fifteen writers including attempt to stretch or challenge their writing practice in different ways. Sometimes the challenges were personal – Sean Williams participated in a sleep deprivation study, and charted the effects on his writing – sometimes, as with Benjamin Law’s decision to learn shorthand, they were technical, and sometimes, as with Jeff Sparrow’s exploration of the experience of not writing, they involved an examination of the author’s writing practice more generally. For me the challenge revolved around trying to develop and write the script for a comic, a project that was both about exploring my lifelong fascination with comics and beginning the process of learning to work in a new form.
It was a great project, and one I enjoyed being involved in immensely, and having read the contributions of the other writers I’m confident they enjoyed being involved in the process as much as I did. If you’d like a taster you can read my contribution online, but I really do recommend you check out the entire collection, which is currently available in digital form with the print version to follow in August.